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Jean Goujon (c. 1510 – c. 1565)〔Thirion, Jacques (1996). "Goujon, Jean" in ''The Dictionary of Art'', edited by Jane Turner; vol. 13, pp. 225–227. London: Macmillan. Reprinted 1998 with minor corrections: ISBN 9781884446009.〕〔A. de Montaiglon, documentary articles in ''Gazette des Beaux-Arts'', 30 (1884), pp. 377-394, and 31 (1885), pp. 5-21, noted by Stein 1890:6, states Goujon died after 1572.〕 was a French Renaissance sculptor and architect. ==Biography== His early life is little known; he was probably born in Normandy and may have traveled in Italy. He worked at the church of Saint-Maclou, his earliest documented work,〔Goujon executed two columns beneath the organs, and bas-reliefs on doors.〕 and the cathedral in Rouen, in 1541-42, where he executed the monument to Louis de Brézé, seigneur d'Anet, before arriving in Paris, where he collaborated with the architect Pierre Lescot at the church of Saint-Germain-l'Auxerrois about 1544, working on the pulpit, which was dismantled in the mid-eighteenth century.〔Goujon's bas-reliefs are conserved at the Musée du Louvre.〕 In 1544-1547 he was occupied with considerable works at the Château d’Ecouen for the connétable de Montmorency. He became "sculptor to the king" (Henry II of France) in 1547 and in the next years was occupied at the Château of Anet. He was then imprisoned at Ecouen in 1555〔The attribution to Goujon of the Maison de Diane de Poitiers (bearing the date 1554) at Ecouen was made by Henri Stein, 1890, based on the document that placed Goujon at Ecouen, imprisoned under orders of the ''bailli'' of 27 September 1555〕 His most famous works are the sculptural decorations made in collaboration with Lescot for the western extension of the Louvre, 1555-62. A fine representative of Mannerism in France, Goujon's figures are elongated, sensual and fluid; his drapery work reveals knowledge of Greek sculpture, though certainly not at first hand. He is also responsible for engravings for Jean Martin's 1547 translation of Vitruvius and for work on the Château of Ecouen, for the Montmorency family. In 1562, Goujon left France for religious reasons (he was a Huguenot). The purity and gracefulness of his style were disseminated throughout France by engravings by artists of the School of Fontainebleau and had an influence in the decorative arts. His reputation was slightly eclipsed at the end of the century by more mannered tendencies, but was appreciated by French Classicism. Goujon was a Protestant; he escaped the French Wars of Religion by exiling himself in Italy in 1562. He probably died in Bologna, where he is last documented in 1563 as a member of a group of Huguenot refugees.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jean Goujon」の詳細全文を読む スポンサード リンク
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